At the APK

At the APK

Bob King: Sailboats in the Bristol Bay fishery

May 2022

Historian Bob King discusses the use of sailboats in the Bristol Bay salmon fishery until 1951. It was one of the last sailboat fisheries in the United States despite its status as a major fishery. King has a background in journalism and extensive knowledge of Alaska fisheries issues and is a project historian on the <NN> Cannery History Project.

At the APK

Mug Up with Katie Ringsmuth

April 2022

State Historian and Mug Up curator Katie Ringsmuth discusses the history of the Alaska Packers Association’s (Diamond NN) Cannery, located on the Naknek River in Bristol Bay, and the stories featured in the Mug Up exhibit at the Alaska State Museum.

At the APK

Atomic Island with Ben Huff

January 2022

Photographer Ben Huff discusses his travels to Adak and his process of making photographs for his solo artist exhibition, Atomic Island. The exhibit uses his own large-format color photographs, mixed with archival images from the Alaska State Library to show the psat and present of a forgotten island in the middle of the Pacific Ocean.

At the APK

The Spirit Wraps Around You Closing Event

October 2021

The Spirit Wraps Around You: Northern Northwest Coast Native Textiles brought together two dozen Chilkat and Ravenstail woven robes for the first time. To celebrate the robes, their histories, and their weavers at the end of the exhibit, members of a Southeast dance group donned a selection of the robes and danced them into the collections storage area at the Alaska State Museum.

At the APK

Weaving with Sea Otter Fur – Kathy Rado

September 2021

Kathy Rado, adopted Haida Double-fin Killerwhale wove this sea otter fur raven’s tail robe for her husband, Pedro Rado (Eagle, Killerwhale from Klukwan). Rado has been weaving in the raven’s tail style for over 30 years. Raven’s tail is a very old hand-weaving technique featuring geometric patterns that predates the more familiar Chilkat robes. The geometric style died out in the early 1800s, and today, only a dozen early robes (or fragments thereof) exist in museums around the world. In the 1980s, Rado and other weavers learned the basic technique from Cheryl Samuel and started weaving them again. Rado’s first robe, One Within Another, was based on two surviving similar fur-warp robes currently located in a museum in Russia. Currently, Rado is preparing to weave another robe with sea otter warps. Rado will share the exciting adventure of the history of the making of One Within Another Robe and how this ancient technique of weaving with sea otter came to life almost two centuries after this style of weaving died out.

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