KXLL

Get you some Moz-jazz, Juneau: Albino Mbie’s at Áak’w Rock

Albino Mbie / courtesy of Albino Mbie 

It’s amazing that guitar strings manage to stay attached to the instrument in the hands of Albino Mbie. His style is rooted in the music styles of his Mozambican heritage, merged with contemporary jazz and pop. (And, if you caught his performance at the 2021 Áak’w Rock Indigenous Music Festival, you know Mbie’s fire ‘fits deserve a mention of their own. Áak’w Rock fashion, anyone?)

 

origins + Moz-Jazz in the north + side stage tea from Qacung

 

Good Knight: dry those eyes, Juneau–the Knight Show says farewell in style

Steve Knight / courtesy of Steve Knight

For the past four years, Juneau has been lucky to be home to independent producer Steve Knight, founder and host of the Knight Show Podcast, among his many roles lifting people up to their most divine selves. Nothing lasts forever, and Knight’s time in lovely Lingít nuna is up. Dry those eyes and get your glamour on—Knight’s saying farewell in style with a dance party featuring LA-based hip hop artists Tru Heru and Sista Eyerie.

 

LA’s underground scene + brewing up Afro-Indigenous baddie energy + [Doja] cats and dogs + did anything align in Alaska?

Sista Eyerie (courtesy of Sista Eyerie)


Tru Heru (courtesy of Tru Heru)

2021 Indigenous Wrapped

(c) Nathan Mallon / “Never Forget” by Nicholas Galanin 

The Best of the Wormhole
part II:
Indigenous Wrapped

2021 was a history-making year for Indigenous people in pop culture + music + film + tv + fashion. Check the ripple effects that are already making waves, including work by local Alaskan artists.

Ani DiFranco talks prison music, politics and playing pretend

Juneau Afternoon host Sheli DeLaney had the opportunity to interview musician Ani DiFranco as she passed through Anchorage this week. The prolific singer-songwriter was on her way to headlining Salmonfest in Ninilchik this weekend.

In May of this year, DiFranco published her memoir, “No Walls and the Recurring Dream.” It is full of stories and insight about being a self-made, independent, unsigned musician, and the many struggles, missteps and triumphs she has experienced along the way.

Among other things, they discussed the early days of DiFranco’s career, when she often played to indifferent crowds in her hometown of Buffalo, New York.

Ani DiFranco. (Photo courtesy of Danny Clinch)

“I sort of miss the days of winning people over,” she quipped. “Now I can walk into a welcoming atmosphere, but back in the the day when I was just walking in cold, there’s something to that that I kind of relish, that I kind of miss, you know? Because it’s much more like the rest of the world, where you just show up as strangers … and you can just start clean.”

DiFranco is as well-known for being a feminist and an activist as well as a musician. Currently, she is focusing her efforts on reproductive rights and making a point to talk about it a lot onstage.

“Our collective evolution is thwarted when we prevent women from becoming themselves,” she said.

DiFranco also has an album in the works called the “Prison Music Project.” It features music, poems and raps recorded by men in prison, and she hopes the project will bring awareness to the system of mass incarceration in the United States, which she labels as a crisis.

“We’re all fallible,” she said. “Some of us get second chances, and some of us don’t. And I think we need to look at that and why.”

When asked about the experience of narrating the audiobook version of her memoir, the first response is a resounding “UGH!” While she enjoyed exploring a new form of writing, she said with a laugh that the recording of the audiobook was “traumatic.” It went against nearly all of her creative instincts.

“I felt like, this is too much,” she said. “I can’t just speak this level of intimacy into a microphone for anybody with $10.95!”

Later, DiFranco realized that when she is writing and creating art, the mechanism she has for doing that is to pretend she is alone and no one is listening. Narrating her book brought her to a whole new level of exposure and sharing, and she had to admit to herself that the game of pretend was over.

“No Walls and the Recurring Dream,” a memoir by Ani DiFranco, is out in bookstores now.

DiFranco will perform on the main stage of Salmonfest in Ninilchik on Friday August 2, at 9:15 p.m.

Photos: Juneau Pride and the faces of GLITZ

 

Last month, more than 900 people attended GLITZ, Juneau’s largest drag show and fundraiser for Southeast Alaska Lesbian, Gay, Bisexual, Transgender, Queer & Questioning Alliance’s biggest fundraiser. The event supports the annual Juneau Pride celebration and contributes to SEAGLA’s scholarship and mini-grant program.

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